中英文題目

　　the contrastive analysis of conversational characteristics between chinese and american tv talk shows

　　中美電視談話節目會話特點的對比分析

　　選題依據(選題經過，國內、國外研究現狀)

　　reasons for choosing the title

　　1. tv talk show has gained great popularity at present society and it has huge influences on our life and society.

　　2. the author is strongly interested in the tv talk shows.

　　3. the contrastive analysis of the conversational characteristics between chinese and american tv talk shows is of great value to direct our communication and provide us with more conversational strategies.

　　general introduction of the research on this title at home and abroad

　　a number of linguists have been working on the study of conversations and made their achievements. as tv talk show is recently-developing, it has attracted many scholars’ attentions and studies at home and abroad. based on the turn-taking system proposed by sacks、schegloff and jefferson, the cooperative principle by herbert paul grice、 principle by leech and the relevance theory by dan sperber and deirdre wilson, these scholars have all made amazing studies and discoveries. however, there is still potential and vast space for the study of conversational characteristics of tv talk shows, especially a contrast between chinese and american tv talk shows.

　　outline

　　development and major concepts of dts

　　in this part i will describe holms’ basic map of dts and the relationship between function, process and product. i will also discuss some important concepts such as pseudo-translation, multiple translation, translationese, norm etc.

　　methodolgy

　　i will in this part discuss the methodology of dts before i apply the same to the case study in this thesis with emphasis to be placed on semiotic approach and the concept norm.

　　dts in contrast to other theories

英語專業開題報告集合 篇1

　　論文題目the Application and Innovation

　　of Gothicism in Wuthering Heights

　　一、選題的意義和研究現狀

　　1.選題的目的、理論意義和現實意義

　　長時期以來,人們視艾米莉勃朗特為英國文學中的“斯芬克斯”。關于她本人和她的作品都有很多難解之謎,許多評論家從不同的角度、采用不同的方法去研究,得出了不同的結論,因而往往是舊謎剛解,新謎又出,解謎熱潮似永無休止。

　　本文立足于歐美文學中的哥特傳統研究《呼嘯山莊》的創作源泉,指出艾米莉

　　勃朗特在主題、人物形象、環境刻畫、意象及情節構造等方面都借鑒了哥特傳統,同時憑借其超乎尋常的想象力,將現實與超現實融為一體,給陳舊的形式注入了激烈情感、心理深度和新鮮活力,達到了哥特形式與激情內容的完美統一,使《呼嘯山莊》既超越了哥特體裁的“黑色浪漫主義”,又超越了維多利亞時代的“現實主義”,從而展現出獨具一格、經久不衰的藝術魅力。

　　2.與選題相關的國內外研究和發展概況

　　各民族的文學中都有許多驚險、恐怖的故事,但似乎沒有哪一種文學像英美文學那樣不僅創作出數量眾多、質量優秀的恐怖文學作品,而且還形成了一個持續發展、影響廣泛的哥特傳統( Gothic tradition) 。哥特文學現在已經成為英美文學研究中的一個重要領域。對哥特文學的認真研究開始于20世紀二三十年代,到70年代以后,由于新的學術思潮和文學批評觀念的影響,該研究出現了前所未有而且日趨高漲的熱潮。根據在國際互聯網上的搜索,到20xx 年9月為止,英美等國的學者除發表了大量關于哥特文學的論文外,還至少出版專著達184部,其中1970年以后為126部,僅90年代就達59部,幾乎占總數的三分之一。當然,近年來哥特文學研究的狀況不僅在于研究成果迅速增加,更重要的是它在深度和廣度方面都大為拓展,并且把哥特傳統同英美乃至歐洲的歷史、社會、文化和文學的總體發展結合起來。

　　(一) 論文名稱

　　a probe into the differences of taboo between western and chinese cultures

　　跨文化交際中的禁忌問題---中西方文化差異之探討

　　(二) 研究課題的目的與意義

　　禁忌是世界各民族之間普遍存在的一種文化現象，禁忌規范了人們的言語行為與社會交際。而中西文化的巨大差異直接導致了漢英禁忌語的迥異。所以，無論是在英語還是漢語中，我們都會遇到一些因傳統或社會風俗不同，會引起對方強烈反感，這樣便導致了有些詞語我們要避免使用，就是禁忌語。在經濟和信息日益全球化的今天，不同民族不同國家的人之間的交流也日益頻繁。跨文化交際是現代交際的重要組成部分，了解語言禁忌現象就成了最基本的要求，可以使跨文化交際更加得體。

　　而此篇論文的目的就是總結前人研究的成果，更清晰的展示出中西方禁忌語的異同，以便在跨文化交際中能避免出現言語不當的問題，并通過中西方禁忌語的異同研究出其折射的中西方文化的差異，這樣可以更透徹的了解中西方文化，對于跨文化交際很有幫助。

　　(三) 論文寫作的目標

　　禁忌語是一種普遍的社會現象和語言現象，它與人們的日常生活和社會習慣有著緊密的聯系，這在每個民族和每種語言中都有體現。中西方文化和信仰差異導致了禁忌語也存在著較大的差別。

　　于是，這篇論文要先陳訴清楚禁忌語的定義，來源，特征，然后總結出中西方禁忌語的異同，最后從這些異同中總結出產生中西方禁忌語相似和差異的原因，最終從這些原因中總結禁忌語折射在文化上的差異。了解了這種差異，才能避免的跨文化交際因為文化差異而發生一些問題，有助于更好地跨文化交際。

　　論文題目

　　a receptor-oriented study on the chinese-english translation of public signs

　　接受者角度下的公示語英譯

　　(一)基本思路(包括選題來源、解決的主要問題、基本內容、意義方法等，不少于300字)

　　when we review resent year’s developments in china, for example, the acceding to wto, beijing olympic, shanghai expo, guangzhou asian games and so on, we found out that china had become more and more important in the world and faced bigger challenges. millions foreigners come to china every year. they travel here, eat here, play here, do business here, even live here, but sometimes most of them are confused with the public signs, because the signs transmit different meanings. there may be misunderstanding among cultures, distinct expressions of languages or different messages to the receptors. as far as the public sign is concerned, it is a kind of language to the public. but those wrong translations damage the basic function.

　　the famous translator nida used to say, the relationship between receptor and message should be substantially the same as that which existed between the original receptor and the message. in my mind, the translation of public signs should focus on the readers, and during the translation, we should apply the relevant policies to bring the readers’ aesthetic judgment into play and to achieve the basic function of public signs.

　　how to deal with ellipsis in english-chinese translation

　　i. purpose and significance

　　with the development of globalization, the world’s political, economic and cultural communications are becoming increasingly frequent. therefore, the role of translation cannot be ignored. however, the differences between english and chinese cultures that are reflected in the two languages pose considerable difficulty.

　　it is acknowledged that when doing translation one can not translate word for word, or sentence by sentence. therefore, we must use some translation strategies such as amplification, ellipsis, conversion and so on. ellipsis as one of the basic translation methods plays an essential role in english-chinese rendition. translators apply it in order to make their versions more coherent and understandable.

　　according to the oxford advanced learner’s english-chinese dictionary, ellipsis means leaving out a word or words from a sentence deliberately, when the meaning can be understood without them. ellipsis in translation does not mean cutting some content from the original articles. what could be omitted are words that are useless in translated works or else they will make the versions redundant or disobey the manner of expression in another language.